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This tree is native to the Pacific Northwest. It has the distinction of having the largest leaf of the Maples-up to 15" in diameter. This is a soft Maple. The tree can produce many different types of figure, including quilted (tubular, popcorn, & cloud), curly (fiddleback, broken, & basketweave), and burl.
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The heartwood of African Blackwood is purplish to brownish-black with dark gray streaks giving an overall impression of being black. Lustrous with an attractive inner chatoyance. Very hard, heavy, close-grained, and virtually free from pores. Its main use is in turning, and it claims the title of the finest of turnery woods, well known as the standard by which other turnery woods are judged. Long a favorite of ornamental turners, the nature of the wood allows very fine detail with sharp cutters, leaving a beautiful, burnished surface.
Some blanks may have sapwood corners or more, burly or wild grain, occasional bug holes, small inclusions, small checks, i.e. they have the small defects common to Blackwood. That said these have to be the best quality rejects I have seen in nearly 30 years. A good percentage have no discernible defects and those that do have minor ones.
They are an odd size to make it easier to turn the bell or flared end of a clarinet. On one end they are 2 3/4-3 1/4" square and the other end is 1 3/8-1 5/8" square with tapered sides as in the photo. Length is 4 3/4-5 1/4".
The barrel will ship via freight truck. Please call us if you have any questions. 503-274-1271
Due to CITES regulations, we can only ship this species to customers in the United States.
A has 196 pieces.
B has 196 pieces.
C has 198 pieces.
D has 195 pieces.
E has 193 pieces.
F has 195 pieces.
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220 volt, three phase, no tooling. Would prefer pick-up from our warehouse in Portland, Oregon but might be persuaded to crate and ship.
Give us a call for more details. 503-274-1271
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Also called European Basswood, this species grows throughout Europe. It was the favorite wood of the English carver Grinling Gibbons and the German Gothic sculptor Tilman Riemenschneider. Pale in color, it has a straight grain and fine, even texture. It is easy to work and can easily be carved with, against, and cross the grain. It is recognized as one of the classic carving woods. Air-dried.
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This striped wood develops a beautiful golden patina as it ages.
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This slice of burl came from an ancient forest tree of Laos. Surviving its youth as a sapling, it survived despite tropical monsoons, insect invasions, and wars to become a behemoth 16 feet in girth and 50 feet to its first branch. It eventually succumbed to old age and began the inevitable journey back to the earth from whence it came. This burl was rescued before its total demise but not before some insects left some damage in the outer sapwood. A unique, one-of-a-kind forest gem.
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This South African tree is noted for its bark which has prominent knobby prickles. The heartwood is medium to dark brown and close grained. It is hard and heavy and takes a nice polish. Rare on the American market.
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Most Wenge comes from the interior of the Democratic Republic of the Congo (formerly Zaire), and is floated to market on the Congo river. It is fairly hard and heavy with a medium to coarse texture. The heartwood is very dark brown with fine, nearly parallel black veining. Very rich looking when finished.
C has some bug holes.
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Most Wenge comes from the interior of the Democratic Republic of the Congo (formerly Zaire), and is floated to market on the Congo river. It is fairly hard and heavy with a medium to coarse texture. The heartwood is very dark brown with fine, nearly parallel black veining. Very rich looking when finished.
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A true rosewood, most of our stock comes from Belize. Smelling like stored apples, it is a lovely wood to turn and takes a fantastic polish. Getting scarce on the world market.
Due to CITES regulations, we can only ship this species to customers in the United States.
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Sometimes called Gabon or Gaboon, this Ebony is sometimes jet black but oftentimes has grayish streaks that mostly disappear when finished or after the made object has been put into service. This Ebony has a marked resistance to checking that is characteristic of some of the Indian and Asian species. It has a wonderful texture and is easily carved, planed, turned, and milled. It is fairly fine-grained and takes a high polish. This Ebony usually originates in either Cameroon or Nigeria and the logs are rough hewn in the forest and oftentimes brought to the nearest road by human porters. With the disappearance of other species of black Ebony this species is fast becoming the Ebony of choice.
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A classically striped Ebony from Asia. Quartersawn.
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Sometimes called Gabon or Gaboon, this Ebony is sometimes jet black but oftentimes has grayish streaks that mostly disappear when finished or after the made object has been put into service. This Ebony has a marked resistance to checking that is characteristic of some of the Indian and Asian species. It has a wonderful texture and is easily carved, planed, turned, and milled. It is fairly fine-grained and takes a high polish. This Ebony usually originates in either Cameroon or Nigeria and the logs are rough hewn in the forest and oftentimes brought to the nearest road by human porters. With the disappearance of other species of black Ebony this species is fast becoming the Ebony of choice.
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Sometimes called Gabon or Gaboon, this Ebony is sometimes jet black but oftentimes has grayish streaks that mostly disappear when finished or after the made object has been put into service. This Ebony has a marked resistance to checking that is characteristic of some of the Indian and Asian species. It has a wonderful texture and is easily carved, planed, turned, and milled. It is fairly fine-grained and takes a high polish. This Ebony usually originates in either Cameroon or Nigeria and the logs are rough hewn in the forest and oftentimes brought to the nearest road by human porters. With the disappearance of other species of black Ebony this species is fast becoming the Ebony of choice.
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Sometimes called Gabon or Gaboon, this Ebony is sometimes jet black but oftentimes has grayish streaks that mostly disappear when finished or after the made object has been put into service. This Ebony has a marked resistance to checking that is characteristic of some of the Indian and Asian species. It has a wonderful texture and is easily carved, planed, turned, and milled. It is fairly fine-grained and takes a high polish. This Ebony usually originates in either Cameroon or Nigeria and the logs are rough hewn in the forest and oftentimes brought to the nearest road by human porters. With the disappearance of other species of black Ebony this species is fast becoming the Ebony of choice.
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This European Maple is native to central Europe and west Asia. It is a tough, white or cream colored, fine-grained timber. It reminds me of vanilla ice cream because it is so even-colored. It works well in any grain direction. It is used for musical instruments, furniture, cabinetry, and because it is non-staining it is used for kitchen utensils, wooden spoons, rolling pins, and cutting boards. The figure is fiddleback on the quartersawn surface and more of a broken curl on the flatsawn surface. Select, quartersawn material is used for violin backs and sides and necks. Dry.
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The heartwood is white or cream to light brown or reddish brown. Figured somewhat like that of burl with many small eyes separate from each other. Hard and heavy, 45 lbs/cu ft. Easy to work and takes a smooth polish. U.S.A.
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This is grown on plantations in Indonesia where it is called Sonokeling. These came from a tree large enough and old enough to look much like the old-growth lumber from India.
Due to CITES regulations, we can only ship this species to customers in the United States.
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This is grown on plantations in Indonesia where it is called Sonokeling. These came from a tree large enough and old enough to look much like the old-growth lumber from India.
Due to CITES regulations, we can only ship this species to customers in the United States.
