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The heartwood of African Blackwood is purplish to brownish-black with dark gray streaks giving an overall impression of being black. Lustrous with an attractive inner chatoyance. Very hard, heavy, close-grained, and virtually free from pores. Its main use is in turning, and it claims the title of the finest of turnery woods, well known as the standard by which other turnery woods are judged. Long a favorite of ornamental turners, the nature of the wood allows very fine detail with sharp cutters, leaving a beautiful, burnished surface.
Some blanks may have sapwood corners or more, burly or wild grain, occasional bug holes, small inclusions, small checks, i.e. they have the small defects common to Blackwood. That said these have to be the best quality rejects I have seen in nearly 30 years. A good percentage have no discernible defects and those that do have minor ones.
They are an odd size to make it easier to turn the bell or flared end of a clarinet. On one end they are 2 3/4-3 1/4" square and the other end is 1 3/8-1 5/8" square with tapered sides as in the photo. Length is 4 3/4-5 1/4".
The barrel will ship via freight truck. Please call us if you have any questions. 503-274-1271
Due to CITES regulations, we can only ship this species to customers in the United States.
A has 196 pieces.
B has 196 pieces.
C has 198 pieces.
D has 195 pieces.
E has 193 pieces.
F has 195 pieces.
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220 volt, three phase, no tooling. Would prefer pick-up from our warehouse in Portland, Oregon but might be persuaded to crate and ship.
Give us a call for more details. 503-274-1271
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Also called European Basswood, this species grows throughout Europe. It was the favorite wood of the English carver Grinling Gibbons and the German Gothic sculptor Tilman Riemenschneider. Pale in color, it has a straight grain and fine, even texture. It is easy to work and can easily be carved with, against, and cross the grain. It is recognized as one of the classic carving woods. Air-dried.
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One of several rosewood species from Madagascar. It has beautiful color and grain, a sweet smell, and is very easy to work and stable in use. It is a very close match to true Rio or Brazilian Rosewood (Dalbergia nigra) and as such is much in demand for musical instruments, especially guitars.
Due to this item being on the CITES list, we are only shipping this species to addresses in the United States.
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This striped wood develops a beautiful golden patina as it ages.
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Called by some woodworkers African Rosewood, Bubinga is a deep, lustrous, brownish-red color with a fine, darker striping. The figure makes the wood doubly beautiful. It is very hard and heavy and takes a glassy, smooth finish.
Due to CITES regulations, we can only ship this species to customers in the United States.
This block has an inclusion that goes through the block from face to face, visible in the photographs.
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A classically striped Ebony from Asia. Quartersawn.
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This Cental African tree is scarce on the American market. It has a similar apperance to its close relative, Wenge. Hard and heavy with a medium to coarse texture, it can have some porousness to the grain.
Panga Panga was popular in the early 1990's when Wenge all but disappeared because of supply problems in the Congo basin. It makes beautiful furniture, turnings, and precious boxes, having a deep, dark chocolate brown color once finished, though still a little lighter in color than Wenge.
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A very few pieces of Mesquite are figured with what we call frog's-hair curl, a small, tight curl with as many as 12-15 curls per inch. A very stable wood. Air-dried.
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Also called African Satinwood. Generally golden-yellow in color with a very lustrous appearance. Movingui has nice tonal characteristics-bright and "pingy".
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Also called New Guinea Rosewood. It is a beautiful, highly lustrous golden yellow color sometimes with reddish streaks. A nice turning wood it is also used in furniture, jewelry boxes, handles, etc. It is easy to work and glue and takes a nice polish.
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This wood is also called New Guinea Rosewood. It is a beautiful, highly lustrous redish-orange color sometimes with darker streaks. The figure is classic bee's-wing mottle. A nice turning wood it is also used in furniture, jewelry boxes, handles, etc. It is easy to work and glue and takes a nice polish.
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The heartwood is purplish to brownish-black with dark gray streaks giving an overall impression of being black. Lustrous with an attractive inner chatoyance. Very hard, heavy, close-grained, and virtually free from pores. Its stability and lovely tonal qualities make it an excellent instrument wood.
Due to CITES regulations, we can only ship this species to customers in the United States.
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A species of Olive from South Africa. Very rarely seen on the commercial timber market. It is similar in color to the European species but is denser and harder with more variegations of color and grain. Partially air-dried.
This bookmatched set is quite stunning with the swirls, knots and inclusions. There is a fair amount of checking on one face but would make a great "wood as art" piece.
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The heartwood is purplish to brownish-black with dark gray streaks giving an overall impression of being black. Lustrous with an attractive inner chatoyance. Very hard, heavy, close-grained, and virtually free from pores. Its stability and lovely tonal qualities make it an excellent instrument wood.
Due to CITES regulations, we can only ship this species to customers in the United States.
These all have some cracks and small defects, but still contain a lot of usable material.
A has a small burl cluster.
D has several small burl clusters.
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Almost all Pearwood imported into the U.S.A. has been steamed to bring out a more pinkish-red color and to prevent drying stresses. Formerly the wood was used for carving, turning, drawing instruments, wood engravings, textile printing blocks, and tool handles. Stained black it is an excellent substitute for Ebony. Contemporary uses include woodwinds such as recorders, furniture, kitchen accessories, jewelry and other boxes, and architectural uses such as paneling and doors.
These have some slight defects around the edges that we thought we would cut off to preserve as much of the wonderful figure as we could.
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Almost all Pearwood imported into the U.S.A. has been steamed to bring out a more pinkish-red color and to prevent drying stresses. Formerly the wood was used for carving, turning, drawing instruments, wood engravings, textile printing blocks, and tool handles. Stained black it is an excellent substitute for Ebony. Contemporary uses include woodwinds such as recorders, furniture, kitchen accessories, jewelry and other boxes, and architectural uses such as paneling and doors.
These have some slight defects around the edges that we thought we would cut off to preserve as much of the wonderful figure as we could.
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Almost all Pearwood imported into the U.S.A. has been steamed to bring out a more pinkish-red color and to prevent drying stresses. Formerly the wood was used for carving, turning, drawing instruments, wood engravings, textile printing blocks, and tool handles. Stained black it is an excellent substitute for Ebony. Contemporary uses include woodwinds such as recorders, furniture, kitchen accessories, jewelry and other boxes, and architectural uses such as paneling and doors.
These have some slight defects around the edges that we thought we would cut off to preserve as much of the wonderful figure as we could.
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A very few pieces of Mesquite are figured with what we call frog's-hair curl, a small, tight curl with as many as 12-15 curls per inch. A very stable wood. Air-dried.
